He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Pärt. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Pärt. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.

Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational opera for the 1984 Summer Olympics. Filmmaker Howard Brookner follows the avant-garde theatre director as he confronts a hectic work schedule, funding difficulties and relentless international travel in attempt to complete his preparations. The film examines Wilson’s unique theatrical style during The Civil Wars: A Tree Is Best Measured When It Is Down, which involves the continual creation of evocative stage sets, owing to a unique juxtaposition of movement, sound, text and image. Known for his precise, painterly images Wilson’s work derives more from visual art than the orthodox literary traditions of theatre. As a result, Wilson often challenges actors to perform in a boldly minimalist style, as well as collaborating with non-actors, such as young autistic poet Christopher Knowles in Einstein on the Beach.

We look back at more than half a century of mysterious artistic creation while trying to crack a unique artistic code. Why are people moved to tears when Robert “Bob” Wilson puts minimalistic petrol pumps into a production of Shakespeare’s sonnets? Why does merciless repetition change our understanding of something? Together with Tom Waits, Willem Dafoe or Marina Abramović we trace back our own experience of Bob’s art. Is it true what Philipp Glass the collaborator of the milestone piece “Einstein on the Beach” laughingly and with apparent pleasure exclaims “what does it mean? It doesn’t mean anything!”?

Playwright Clifford Odets' portrait of the Great Depression unfolds in the modest two-family home of Leo and Clara Gordon as misfortune strikes them and the people running with them. Opened on Broadway in 1935, it became one of the Group Theatre's most controversial plays and Odets' favorite.

Paradise Lost captures what it's like to be in the wrong place at the wrong time and a long way from home.

This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.

A picnic by the river. Pablo is in love with his pretty older cousin, but she would rather be alone with her lover, so she gets rid of the boy by sending him off in search of a gift. Something strange happens to Pablo during his trip. Upon his return, he is not the only one whose innocence is at stake.